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14
THE RUE DES BONS ENFANTS

The evening of the same day, which was Sunday, toward eight o'clock, at the moment when a considerable group of men and women, assembled round a street singer who was playing at the same time the cymbals with his knees and the tambourine with his hands, obstructed the entrance to the Rue de Valois, a musketeer and two of the light horse descended a back staircase of the Palais Royal, and advanced toward the Passage du Lycee, which, as every one knows, opened on to that street; but seeing the crowd which barred the way, the three soldiers stopped and appeared to take council. The result of their deliberation was doubtless that they must take another route, for the musketeer, setting the example of a new maneuver, threaded the Cour des Fontaines, turned the corner of the Rue des Bons Enfants, and walking rapidlythough he was extremely corpulentarrived at No. 22, which opened as by enchantment at his approach, and closed again on him and his two companions.
At the moment when they commenced this little detour, a young man, dressed in a dark coat, wrapped in a mantle of the same color, and wearing a broad-brimmed hat pulled down over his eyes, quitted the group which surrounded the singer, singing himself, to the tune of Les Pendus, "Vingt-quatre, vingt-quatre, vingt-quatre," and advancing rapidly toward the Passage du Lycee, arrived at the further end in time to see the three illustrious vagabonds enter the house as we have said. He threw a glance round him, and by the light of one of the three lanterns, which lighted, or rather ought to have lighted, the whole length of the street, he perceived one of those immense coalheavers, with a face the color of soot, so well stereotyped by Greuze, who was resting against one of the posts of the Hotel de la Roche-Guyon, on which he had hung his bag.