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A BAL-MASQUE OF THE PERIOD.THE BAT

The opera balls were then at their height. It was an invention of the Chevalier de Bullon, who only obtained pardon for assuming the title of Prince d'Auvergne, nobody exactly knew why, by rendering this service to the dissipated society of the time. It was he who had invented the double flooring which put the pit on a level with the stage: and the regent, who highly appreciated all good inventions, had granted him in recompense a pension of two thousand livres, which was four times what the Grand Roi had given to Corneille. That beautiful room, with its rich and grave architecture, which the Cardinal de Richelieu had inaugurated by his "Mirame," where Sully and Quinault's pastorals had been represented, and where Moliere had himself played his principal works, was this evening the rendezvous of all that was noble, rich, and elegant.
D'Harmental, from a feeling of spite, very natural in his situation, had taken particular pains with his toilet. When he arrived, the room was already full, and he had an instant's fear that the mask with the violet ribbons would not find him, inasmuch as the unknown had neglected to assign a place of meeting, and he congratulated himself on having come unmasked. This resolution showed great confidence in the discretion of his late adversaries, a word from whom would have sent him before the Parliament, or at least to the Bastille. But so much confidence had the gentlemen of that day in each other's good faith, that, after having in the morning passed his sword through the body of one of the regent's favorites, the chevalier came, without hesitation, to seek an adventure at the Palais Royal. The first person he saw there was the young Duc de Richelieu, whose name, adventures, elegance, and perhaps indiscretions, had already brought him so much into fashion.