Fencing was not at that time the science that it is now. The swords, sharp on each side, made them strike as often with the edge as with the point; besides, the left hand, armed with a dagger, was at the same time offensive and defensive, and hence resulted a number of slight wounds, which, in a real combat, kept up a continual excitement. Fencing, then in its infancy, consisted in a crowd of evolutions, in which the actor moved continually, and which, on a ground chosen by chance, might be continually impeded by its nature.
It was common to see the fencer throw himself forward, draw back again, or jump to the right or left, so that agility, not only of the hand, but of the whole body, was necessary. Chicot did not appear to have learned in this school, but seemed to have forestalled the modern style, of which the superiority and grace is in the agility of the hands and immovability of the body. He stood erect and firm, with a wrist at once strong and supple, and with a sword which seemed a flexible reed from the point to the middle of the blade, and an inflexible steel from thence to the guard.
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