39

THE SEVEN SINS OF MAGDALENE

The king, however, on seeing his horses, did not wish to be alone in the carriage, but desired D'Epernon to sit by him. De Loignac and St. Maline rode on each side, and an outrider in front. The king was, as usual, surrounded by dogs, and there was also a table in the carriage, covered with illuminated pictures, which the king cut out with wonderful skill, in spite of the movement of the carriage. He was just then occupied with the life of Magdalene, the sinner. The different pictures were labeled "Magdalene gives way to the sin of anger"Magdalene gives way to the sin of gluttony," and so on through the seven cardinal sins. The one that the king was occupied with, as they passed through the Porte St. Antoine, represented Magdalene giving way to anger.

The beautiful sinner, half-lying on cushions, and with no other covering than the magnificent hair with which she was afterward to wipe the feet of Jesus, was having a slave, who had broken a precious vase, thrown into a pond filled with lampreys, whose eager heads were protruding from the water: while on the other side, a woman, even less dressed than her mistress, as her hair was bound up, was being flogged, because she had, while dressing her mistress's head, pulled out some of those magnificent hairs, whose profusion might have rendered her more indulgent to such a fault. In the background were visible some dogs being whipped for having allowed beggars to pass quietly, and some cocks being murdered for having crowed too loudly in the morning.