On his return from the promenade, which had been so prolific in poetical effusions, and in which every one had paid his or her tribute to the Muses, as the poets of the period used to say, the king found M. Fouquet waiting for an audience. M. Colbert had lain in wait for his majesty in the corridor, and followed him like a jealous and watchful shadow; M. Colbert, with his square head, his vulgar and untidy, though rich costume, somewhat resembled a Flemish gentleman after he had been over-indulging in his national drink -- beer. Fouquet, at sight of his enemy, remained perfectly unmoved, and during the whole of the scene which followed scrupulously resolved to observe a line of conduct particularly difficult to the man of superior mind, who does not even wish to show his contempt, for fear of doing his adversary too much honor. Colbert made no attempt to conceal his insolent expression of the vulgar joy he felt.
In his opinion, M. Fouquet's was a game very badly played and hopelessly lost, although not yet finished. Colbert belonged to that school of politicians who think cleverness alone worthy of their admiration, and success the only thing worth caring for. Colbert, moreover, who was not simply an envious and jealous man, but who had the king's interest really at heart, because he was thoroughly imbued with the highest sense of probity in all matters of figures and accounts, could well afford to assign as a pretext for his conduct, that in hating and doing his utmost to ruin M. Fouquet, he had nothing in view but the welfare of the state and the dignity of the crown.
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