49

The First Appearance of Colbert

The whole night was passed in anguish, common to the dying man and to the king: the dying man expected his deliverance, the king awaited his liberty. Louis did not go to bed. An hour after leaving the chamber of the cardinal, he learned that the dying man, recovering a little strength, had insisted upon being dressed, adorned and painted, and seeing the ambassadors. Like Augustus, he no doubt considered the world a great stage, and was desirous of playing out the last act of the comedy. Anne of Austria reappeared no more in the cardinal's apartments; she had nothing more to do there. Propriety was the pretext for her absence. On his part, the cardinal did not ask for her: the advice the queen had given her son rankled in his heart.

Towards midnight, while still painted, Mazarin's mortal agony came on. He had revised his will, and as this will was the exact expression of his wishes, and as he feared that some interested influence might take advantage of his weakness to make him change something in it, he had given orders to Colbert, who walked up and down the corridor which led to the cardinal's bed-chamber, like the most vigilant of sentinels. The king, shut up in his own apartment, dispatched his nurse every hour to Mazarin's chamber, with orders to bring him back the exact bulletin of the cardinal's state. After having heard that Mazarin was dressed, painted, and had seen the ambassadors, Louis heard that the prayers for the dying were being read for the cardinal. At one o'clock in the morning, Guenaud had administered the last remedy.